Discovery
Growing up on a Texas landfill can be an inspiration to an inquiring, young mind. Poking around in the dirt like an amateur archaeologist, I discovered many artifacts from the past, notably an unbroken antebellum cut-glass brandy snifter, an unopened box of Cuban cigars from 1882, and a series of stereoscopic daguerreotypes of scantily clad buxom wenches. These objects, all associated with vice and corruption, so repelled my youthful sensibilities that I decided to become a teacher, in the hope of spreading knowledge that would free mankind from substance abuse and pornography. To that end I applied myself in school and became so literate that the citizens of the town of New Slobbobia held a massive swap meet to raise money so that they could send me to a place where there was a high school. Eventually, in June of 1957, I graduated 24th in a class of 26 from Clute High School. In fact, I am proud to state that I was the first male in south Texas ever to graduate from high school without having a football coach alter his transcript. Pleased with my achievement, my father sold his prize stud hog to pay my tuition at the University of Texas at Austin.
College passed rapidly since I had no time for frivolous pursuits. In addition to my major in education, I also studied linguistics and history in order to better equip myself for reestablishing the greatness of my people. I spent summers and holidays in basement of the New Slobbobia Public Library where I immersed myself in the archives studying my national heritage. I also taped extensive interviews with the elderly who maintained many of our ancient traditions. I became a master of the flskra,the lively dance for joy the Slobbobian man performs in the nude for his entire village after his sow gives birth to a healthy litter. My arrest for indecent exposure while dancing the flskraduring halftime at the 1963 Cotton Bowl led to the landmark Smith vs. Regents of the University of Texasruling by the United States Supreme Court, which affirmed the right of ethnic minorities to maintain their cultural traditions. In addition, I am the world's leading Slobbobian poet, being particularly adept at the 13-syllable nskërda,which is similar to the Japanese haiku in its terse, enigmatic style. Perhaps the reader is acquainted with my most famous nskërda:
Outside time, dew to dust,
Wind to mud, up befalling.(i)
There is, of course, no way that the English translation can capture the ineffable guttural and uvular beauty of the original.
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